Left to right, front row:
Barbara Neff Craig,
mezzo-soprano, harpsichord, organ, harpsichord, vielle, psaltery, percussion; Victoria Gentry, soprano; Alice Neff Petersen, alto, Coordinator, baroque violin, vielle, viols, recorders, shawm, krummhorn; Carol Goodman soprano, bodhran, percussion; Sandra Kellogg, mezzo-soprano, recorders, keyboards, harp, viol, lute.
Left to right, back row:
Donald H. Jackson, baritone, recorders, sackbut, krummhorns, viol; Andrea Kissell, contralto, recorders, krummhorns, sardune; Andrew Phillips, recorders, harp, psaltery, reeds.

Read Our Bios!

Although we list our voice types in a modern way, to give listeners some idea of who does what, before the baroque period the human voice was used in a variety of ways, without reference to what we think of today as formal vocal training, and some of our earlier repertoire, as well as the less formal styles of ballad and catch tune, require some unusual sonorities.  From earliest times human beings have imitated the sounds we hear around us.  Our vocalists often sing on a part somewhat different from their "soprano, alto, tenor, bass" labels, and they sometimes imitate one or more of our instruments, or the sounds of birds or animals, where the repertoire calls for it.

2009-10 Season Gallery
2008-09 Season Gallery

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Website design and content by David Christian Nelson and Carolan Ivey.
Last update: 09/11/2011.